RELEASE : T’ANG HAYWEN WORKS FROM THE 1960S TO 1970S
PRESS RELEASE | HONG KONG | 14 OCTOBER 2015 | FOR IMMEDIATE RELEASE
T’ang Haywen
WORKS FROM THE 1960S TO 1970S
Untitled, watercolour on Kyro card 70 x 50 cm. (27 1/2 x 19 5/8 in.) Painted in 1965 |
Untitled, ink on Kyro card, 70 x 50 cm. (27 1/2 x 19 5/8 in.) Painted in 1966 |
At Christie’s Hong Kong from 13 October to 3 November
Hong Kong - From 13 October to 3 November 2015, an important selling exhibition dedicated to French-Chinese artist T’ang Haywen (1927-1991), will take place at Christie’s Hong Kong. Providing a comprehensive overview of T’ang Haywen’s mature work, the show will feature a selection of more than 40 paintings created during the crucial years of his artistic production: the 1960’s and 1970’s.
Joyce Chan, Senior Specialist, commented: “Through this special solo exhibition dedicated to T’ang Haywen we aim to highlight the importance of his work as well as the role he played in the history of Chinese modern art. In the mid-20th century, T’ang crossed the traditional boundaries of ink painting and explored the full potential of this medium, elevating it to the status of a universal language. In fact he significantly contributed to the promotion of Chinese modern ink painting in both the European and the American art scene. T’ang took ink painting as a mode of free expression and his work is a constant source of inspiration as it expresses feelings of joy, freedom, playfulness, elegance, kindness, serenity, melancholy, meaninglessness, and satisfaction that make up the precious human experience”.
From Europe to the Americas and Asia, T’ang Haywen’s works are appreciated globally. Throughout the years, many of his paintings have entered the collections of prominent international museums, including the Musée d'Art Moderne de la Ville de Paris, the Art Institute of Chicago and the M+ Museum in Hong Kong.
Born in Xiamen, China, in 1927 and raised in Saigon, Vietnam, from the age of ten T’ang Haywen received education in a French school while his grandfather taught him the art of ink painting and calligraphy.
Arrived in Paris in 1948, just a few months before French-Chinese artist Zao Wou-Ki (1920-2013), T’ang took drawing lessons and frequented museums and galleries to study the art from the past, while travelling extensively across Europe.
Homage to Monet, mixed media on Kyro card, diptych 70 x 100 cm. (27 1/2 x 39 3/8 in.) Painted in 1968-1970
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T'ang produced a series of at least six paintings inspired by famous historical works of art. Four of these paintings will be part of the present exhibition: Homage to Balthus, Homage to Cézanne, Homage to Hokusai, and Homage to Monet (illustrated above left). This work also exemplifies T’ang’s emblematic diptych format which he obtained by combining two sheets of Kyro brand paper sized 70x50 cm.
While sharing the traditional Asian aesthetics based on the concepts of simplicity and elegance, T'ang Haywen’s work can be seen as a modern reinterpretation such historic heritage. Free brushstrokes, circles and curves are the elements employed by T’ang to share his inner universe with the external world (examples illustrated on page 1).
Untitled, ink and watercolour on Kyro card 70 x 100 cm. (27 1/2 x 19 5/8 in.) Painted in 1974-1976 |
T'ang's paintings are suffused with mystery and profound meaning but also express the essence of Chinese philosophy, where heaven and man are one, nature and man come together, and heart and mind are fused (an example illustrated above right).
A tireless researcher, in 1973 T’ang Haywen created T’ang Boogie an experimental movie shot together with Tom Tam in Paris. With a 16 mm camera that can shoots 24 frames per second, single paintings were photographed consecutively resulting in a stop-motion animation film. Amongst the works shot in T'ang Boogie is the painting illustrated left (details of portions of the film illustrated on page 3).
Untitled, ink on Kyro card 70 x 50 cm. (27 1/2 x 19 5/8 in.) Painted in 1964-1966 |
An avid philosopher, T'ang Haywen had a profound understanding of Daoist thought and later in his life became a follower of Catholicism. His works are an exploration of his subconscious mind and reflect his understanding of life.
Notes to Editors:
T’ANG HAYWEN: Works from the 1960s to the 1970s
Private Selling Exhibition
13 October - 3 November 2015
The James Christie Room
22nd Floor, Alexandra House, 18 Chater Road, Central, Hong Kong
- 42 paintings on view (31 available for private sale / 11 on loan).
Self-Portrait in Front of the Easel Oil on canvas 73 x 54 cm. (28 3/4 x 21 1/4 in.) Painted in 1960-1963 |
Downloads:
- High-resolution images are available here.
- E-catalogue is available here.
- Click here to watch the short film T’ang Boogie.
PRESS CONTACT: Anita Handayani | +852 2978 6719| ahandayani@christies.com
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T’ang Boogie An experimental film shot by T’ang and Tom Tam in Paris in 1973. |
*Estimates do not include buyer’s premium. Sales totals are hammer price plus buyer’s premium and do not reflect costs, third-party financing fees or application of buyer’s or seller’s credits.
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